This volume engages the Gospel of Matthew in full awareness of its inherently political character. Weaver situates Matthew's version of the «good news of the kingdom» squarely within the «real world» of first-century Palestine and its occupying power, the Roman Empire. The essays here focus prominently and collectively on the issues of power and violence that not only pervade the historically occupied Jewish community of first-century Palestine, but also are clearly visible throughout Matthew's narrative account. A «lower-level» reading of the Matthean text offers a bleak portrait of the overwhelming power and violence exerted by the Roman occupying authorities and their upper-echelon Jewish collaborators against the wider Jewish community of first-century Palestine. But an «upper-level»/"God's-eye" reading of Matthew's narrative consistently reveals the fundamental irony at the heart of the New Testament as a whole, of the Jesus story broadly conceived, and of Matthew's narrative account in specific. This irony overturns all humanly recognized definitions of «power» and demonstrates the astonishing «politics of God,» which defeats evident power through apparent powerlessness and overcomes violence through nonviolent initiatives.

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A superb distillation of the wisdom of one of Britain’s most admired writers on the human condition.Dorothy Rowe gives insights and comfort on some of the most difficult aspects of life-including: identity and self-esteem, fear, depression and unhappiness, coping with people, power, agreed, guilt and selfishness and getting older.

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The Master of Irony. Readers the world over recognize O. Henry as the best short story writer of the early twentieth century. Widely known as a master of irony, O. Henry also displays here dazzling wordplay and a wry combination of pathos and humor.

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Just as philosophy begins with doubt, so also a life that may be called human begins with irony so wrote Kierkegaard. While we commonly think of irony as a figure of speech where someone says one thing and means the opposite, the concept of irony has long played a more fundamental role in the tradition of philosophy, a role that goes back to Socrates Ð the originator and exemplar of the urbane ironic life. But what precisely is Socratic irony and what relevance, if any, does it have for us today? Bernstein begins his inquiry with a critical examination of the work of two contemporary philosophers for whom irony is vital: Jonathan Lear and Richard Rorty. Despite their sharp differences, Bernstein argues that they complement one other, each exploring different aspects of ironic life. In the background of Lear’s and Rorty’s accounts stand the two great ironists: Socrates and Kierkegaard. Focusing on the competing interpretations of Socratic irony by Gregory Vlastos and Alexander Nehamas, Bernstein shows how they further develop our understanding of irony as a form of life and as an art of living. Bernstein also develops a distinctive interpretation of Kierkegaard’s famous claim that a life that may be called human begins with irony. Bernstein weaves together the insights of these thinkers to show how each contributes to a richer understanding of ironic life. He also argues that the emphasis on irony helps to restore the balance between two different philosophical traditions philosophy as a theoretical discipline concerned with getting things right and philosophy as a practical discipline that shapes how we ought to live our lives.

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As new technologies are created and advances are made with the ongoing research efforts, power system harmonics has become a subject of great interest. The author presents these nuances with real-life case studies, comprehensive models of power system components for harmonics, and EMTP simulations. Comprehensive coverage of power system harmonics Presents new harmonic mitigation technologies In-depth analysis of the effects of harmonics Foreword written by Dr. Jean Mahseredijan, world renowned authority on simulations of electromagnetic transients and harmonics

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A level 1 Oxford Bookworms Library graded reader. Retold for Learners of English by Rosemary Border. Dorothy lives in Kansas, USA, but one day a cyclone blows her and her house to a strange country called Oz. There, Dorothy makes friends with the Scarecrow, the Tin Man, and the Cowardly Lion. But she wants to go home to Kansas. Only one person can help her, and that is the country's famous Wizard. So Dorothy and her friends take the yellow brick road to the Emerald City, to find the Wizard of Oz…

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David Lloyd's verses are a genuine contribution to the literature of haiku. They capture an image, a moment in time, and engrave it in the memory for all time. This is the mark of good haiku, as indeed it is of good verse in general. His haiku can excite the senses, as in:See the sharp needlesforever sewing the skyTo the pine branches.Free of irony, except the irony of nature which sets the tone, calls the shots, with a not always recognizable impartiality, their perceptions are too clear for comment:Flowing downstreamBetween the mountain pines,A bird's embryo.Dogwood blossoms,Their edges turning brown,Recalling legends.Poetic magic raised to a higher power by the author's pen and ink vignettes, complementing each verse. Eye pleasing and evocative, these sketches open little doors to experience.

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"Come along, Toto," she said. "We will go to the Emerald City and ask the Great Oz how to get back to Kansas again". Swept away from her home in Kansas by a tornado, Dorothy and her dog Toto find themselves stranded in the fantastical Land of Oz. As instructed by the Good Witch of the North and the Munchkins, Dorothy sets off on the yellow brick road to try and find her way to the Emerald City and the Wizard of Oz, who can help her get home. With her companions the Scarecrow, the Tin Woodman and the Cowardly Lion, Dorothy experiences an adventure full of friendship, magic and danger. A much-loved children's classic, The Wizard of Oz continues to delight readers young and old with its enchanting tale of witches, flying monkeys and silver shoes.

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"The Selected Poetry of Edna St. Vincent Millay" is a collection of some of her most loved poems. Brought together in this volume are the individual works of «Renascence and Other Poems,» «A Few Figs From Thistles,» «Second April,» and «The Ballad of the Harp-Weaver.»

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An earthquake sends Dorothy and her California friends, Zeb, Jim, and Eureka, tumbling down a crack and deep beneath the earth. There she runs into her old friend, the Wizard of Oz. Together with the Wizard and his troupe of piglets, Dorothy and friends travel through many fantastical lands, such as the Valley of Voe, where fruit has turned the entire population invisible. After a run-in with flying Gargoyles, Dorothy and friends finally reach the Land of Oz, where she reunites with Scarecrow, the Tin Woodman, the Cowardly Lion, Princess Ozma, and the wooden Sawhorse.

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An earthquake sends Dorothy and her California friends, Zeb, Jim, and Eureka, tumbling down a crack and deep beneath the earth. There she runs into her old friend, the Wizard of Oz. Together with the Wizard and his troupe of piglets, Dorothy and friends travel through many fantastical lands, such as the Valley of Voe, where fruit has turned the entire population invisible. After a run-in with flying Gargoyles, Dorothy and friends finally reach the Land of Oz, where she reunites with Scarecrow, the Tin Woodman, the Cowardly Lion, Princess Ozma, and the wooden Sawhorse.

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Jean Morrison has written a fascinating and important book, full of drama and colourful historical figures. Rare paintings, drawings, maps and archival photographs complement her impeccable research and lively text. Superior Rendezvous-Place encompasses the French predecessors of Fort William, Native Peoples of the time and the evolution of the fur trade, with an emphasis on the North West Company era. This most important work concludes with details of the reconstruction of the fort and the development of Old Fort William, one of Ontario’s «must see» attractions. "Jean Morrison is a natural story teller, and hers is an essential historical document in the compelling history of Fort William, once the centre of the North American commercial universe." – Peter C. Newman, author of Caesars of the Wilderness "This book is wonderful reading. Jean Morrison’s prose is beautiful." – Carolyn Podruchny, fur trade historian, Newberry Library, Chicago

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From the backwaters of the Universe came two Beings—radiant, terrible—to challenge the love of a mortal man and woman!

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From Dorothy's modest Kansas farm, to the yellow-brick road, from the Wicked Witch of the West to the Emerald City, unforgettable icons abound in L. Frank Baum's classic The Wonderful Wizard of Oz. One of the most memorable stories in American history, this tale has spawned plays, sequels, and most notably the innovative 1939 film, The Wizard of Oz. With this brand new recording, follow Dorothy as she meets Munchkins, the Scarecrow, the Tin Woodsman and the Cowardly Lion. This edition is not to be missed.

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The story follows Jean Muir, the deceitful governess of the wealthy Coventry family. With expert manipulation, Jean Muir obtains the love, respect, and eventually the fortune of the Coventry family. Of all her stories of femme fatales, Woman's Power or Behind a Mask is considered Alcott's masterpiece in the genre of sensation fiction.
Louisa May Alcott (1832-1888) was an American novelist and poet best known as the author of the classic Little Women and its sequels Little Men and Jo's Boys. Alcott was an abolitionist and a feminist.

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